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Love Poem Collection - 16
The Big Top by Joyce Kilmer
The boom and blare of the big brass band is cheering to my heart
And I like the smell of the trampled grass and elephants and hay.
I take off my hat to the acrobat with his delicate, strong art,
And the motley mirth of the chalk-faced clown drives all my care away.
I wish I could feel as they must feel, these players brave and fair,
Who nonchalantly juggle death before a staring throng.
It must be fine to walk a line of silver in the air
And to cleave a hundred feet of space with a gesture like a song.
Sir Henry Irving never knew a keener, sweeter thrill
Than that which stirs the breast of him who turns his painted face
To the circling crowd who laugh aloud and clap hands with a will
As a tribute to the clown who won the great wheel-barrow race.
Now, one shall work in the living rock with a mallet and a knife,
And another shall dance on a big white horse that canters round a ring,
By another's hand shall colours stand in similitude of life;
And the hearts of the three shall be moved by one mysterious high thing.
For the sculptor and the acrobat and the painter are the same.
They know one hope, one fear, one pride, one sorrow and one mirth,
And they take delight in the endless fight for the fickle world's acclaim;
For they worship art above the clouds and serve her on the earth.
But you, who can build of the stubborn rock no form of loveliness,
Who can never mingle the radiant hues to make a wonder live,
Who can only show your little woe to the world in a rhythmic dress --
What kind of a counterpart of you does the three-ring circus give?
Well -- here in the little side-show tent to-day some people stand,
One is a giant, one a dwarf, and one has a figured skin,
And each is scarred and seared and marred by Fate's relentless hand,
And each one shows his grief for pay, with a sort of pride therein.
You put your sorrow into rhyme and want the world to look;
You sing the news of your ruined hope and want the world to hear;
Their woe is pent in a canvas tent and yours in a printed book.
O, poet of the broken heart, salute your brothers here!
= = = = = = = = = =
Bill and Joe by Oliver Wendell Holmes
Come, dear old comrade, you and I
Will steal an hour from days gone by,
The shining days when life was new,
And all was bright with morning dew,
The lusty days of long ago,
When you were Bill and I was Joe.
Your name may flaunt a titled trail
Proud as a cockerel's rainbow tail,
And mine as brief appendix wear
As Tam O'Shanter's luckless mare;
To-day, old friend, remember still
That I am Joe and you are Bill.
You've won the great world's envied prize,
And grand you look in people's eyes,
With H O N. and L L. D.
In big brave letters, fair to see,--
Your fist, old fellow! off they go!--
How are you, Bill? How are you, Joe?
You've worn the judge's ermined robe;
You've taught your name to half the globe;
You've sung mankind a deathless strain;
You've made the dead past live again:
The world may call you what it will,
But you and I are Joe and Bill.
The chaffing young folks stare and say
'See those old buffers, bent and gray,--
They talk like fellows in their teens
Mad, poor old boys! That's what it means,'--
And shake their heads; they little know
The throbbing hearts of Bill and Joe!--
How Bill forgets his hour of pride,
While Joe sits smiling at his side;
How Joe, in spite of time's disguise,
Finds the old schoolmate in his eyes,--
Those calm, stern eyes that melt and fill
As Joe looks fondly up at Bill.
Ah, pensive scholar, what is fame?
A fitful tongue of leaping flame;
A giddy whirlwind's fickle gust,
That lifts a pinch of mortal dust;
A few swift years, and who can show
Which dust was Bill and which was Joe?
The weary idol takes his stand,
Holds out his bruised and aching hand,
While gaping thousands come and go,--
How vain it seems, this empty show!
Till all at once his pulses thrill;--
'T is poor old Joe's 'God bless you, Bill!'
And shall we breathe in happier spheres
The names that pleased our mortal ears;
In some sweet lull of harp and song
For earth-born spirits none too long,
Just whispering of the world below
Where this was Bill and that was Joe?
No matter; while our home is here
No sounding name is half so dear;
When fades at length our lingering day,
Who cares what pompous tombstones say?
Read on the hearts that love us still,
Hic jacet Joe. Hic jacet Bill.
= = = = = = = = = =
Ny Nannie, O by Robert Burns
Behind yon hills, where Lugar flows,
'Mang moors an' mosses many, O,
The wintry sun the day has clos'd,
And I'll awa to Nannie, O.
The westlin wind blaws loud and shill;
The night's baith mirk an' rainy, O;
But I'll get my plaid, an' out I'll steal,
An' owre the hills to Nannie, O.
My Nannie's charming, sweet, an' young:
Nae artfu' wiles to Will ye, O:
May ill befa' the flattering tongue
That wad beguile my Nannie, O.
Her face is fair, her heart is true,
She's spotless as she's bonnie, O:
The op'ning gowan, wet wi' dew,
Nae purer is than Nannie, O.
A country lad is my degree,
And few there be that ken me, O;
But what care I how few they be
I'm welcome aye to Nannie, O.
My riches a' 's my penny-fee,
An' I maun guide it cannie, O;
But warl's gear ne'er troubles me,
My thoughts are a' my Nannie, O.
Our auld guidman delights to view
His sheep and kye thrive bonnie, O;
But I'm as blythe that hauds his pleugh,
An' has nae care but Nannie, O.
Come weel, come woe, I care na by,
I'll tak' what Heav'n will sen' me, O;
Nae ither care in life have I,
But live, an' love my Nannie, O.
= = = = = = = = = =
An American by Rudyard Kipling
If the Led Striker call it a strike,
Or the papers call it a war,
They know not much what I am like,
Nor what he is, my Avatar.'
Through many roads, by me possessed,
He shambles forth in cosmic guise;
He is the Jester and the Jest,
And he the Text himself applies.
The Celt is in his heart and hand,
The Gaul is in his brain and nerve;
Where, cosmopolitanly planned,
He guards the Redskin's dry reserve.
His easy unswept hearth he lends
From Labrador to Guadeloupe;
Till, elbowed out by sloven friends,
He camps, at sufferance, on the stoop.
Calm-eyed he scoffs at sword and crown,
Or panic-blinded stabs and slays:
Blatant he bids the world bow down,
Or cringing begs a crust of praise;
Or, sombre-drunk, at mine and mart,
He dubs his dreary brethren Kings.
His hands are black with blood -- his heart
Leaps, as a babe's, at little things.
But, through the shift of mood and mood,
Mine ancient humour saves him whole --
The cynic devil in his blood
That bids him mock his hurrying soul;
That bids him flout the Law he makes,
That bids him make the Law he flouts,
Till, dazed by many doubts, he wakes
The drumming guns that -- have no doubts;
That checks him foolish -- hot and fond,
That chuckles through his deepest ire,
That gilds the slough of his despond
But dims the goal of his desire;
Inopportune, shrill-accented,
The acrid Asiatic mirth
That leaves him, careless 'mid his dead,
The scandal of the elder earth.
How shall he clear himself, how reach
Your bar or weighed defence prefer?
A brother hedged with alien speech
And lacking all interpreter.
Which knowledge vexes him a space;
But while Reproof around him rings,
He turns a keen untroubled face
Home, to the instant need of things.
Enslaved, illogical, elate,
He greets th' embarrassed Gods, nor fears
To shake the iron hand of Fate
Or match with Destiny for beers.
Lo, imperturbable he rules,
Unkempt, disreputable, vast --
And, in the teeth of all the schools,
I -- I shall save him at the last!
= = = = = = = = = =
To A Child Dancing In The Wind by William Butler Yeats
Dance there upon the shore;
What need have you to care
For wind or water's roar?
And tumble out your hair
That the salt drops have wet;
Being young you have not known
The fool's triumph, nor yet
Love lost as soon as won,
Nor the best labourer dead
And all the sheaves to bind.
What need have you to dread
The monstrous crying of wind!
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