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Love Poem Collection - 24
The Owl and the Pussycat by Edward Lear
The Owl and the Pussy-cat went to sea In a beautiful pea green boat, They took some honey, and plenty of money, Wrapped up in a five pound note. The Owl looked up to the stars above, And sang to a small guitar, 'O lovely Pussy! O Pussy my love, What a beautiful Pussy you are, You are, You are! What a beautiful Pussy you are!'
II Pussy said to the Owl, 'You elegant fowl! How charmingly sweet you sing! O let us be married! too long we have tarried: But what shall we do for a ring?' They sailed away, for a year and a day, To the land where the Bong-tree grows And there in a wood a Piggy-wig stood With a ring at the end of his nose, His nose, His nose, With a ring at the end of his nose.
III 'Dear pig, are you willing to sell for one shilling Your ring?' Said the Piggy, 'I will.' So they took it away, and were married next day By the Turkey who lives on the hill. They dined on mince, and slices of quince, Which they ate with a runcible spoon; And hand in hand, on the edge of the sand, They danced by the light of the moon, The moon, The moon, They danced by the light of the moon.
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Dining- Room Tea by Rupert Brooke
When you were there, and you, and you, Happiness crowned the night; I too, Laughing and looking, one of all, I watched the quivering lamplight fall On plate and flowers and pouring tea And cup and cloth; and they and we Flung all the dancing moments by With jest and glitter. Lip and eye Flashed on the glory, shone and cried, Improvident, unmemoried; And fitfully and like a flame The light of laughter went and came. Proud in their careless transience moved The changing faces that I loved.
Till suddenly, and otherwhence, I looked upon your innocence. For lifted clear and still and strange From the dark woven flow of change Under a vast and starless sky I saw the immortal moment lie. One instant I, an instant, knew As God knows all. And it and you I, above Time, oh, blind! could see In witless immortality. I saw the marble cup; the tea, Hung on the air, an amber stream; I saw the fire's unglittering gleam, The painted flame, the frozen smoke. No more the flooding lamplight broke On flying eyes and lips and hair; But lay, but slept unbroken there, On stiller flesh, and body breathless, And lips and laughter stayed and deathless, And words on which no silence grew. Light was more alive than you.
For suddenly, and otherwhence, I looked on your magnificence. I saw the stillness and the light, And you, august, immortal, white, Holy and strange; and every glint Posture and jest and thought and tint Freed from the mask of transiency, Triumphant in eternity, Immote, immortal.
Dazed at length Human eyes grew, mortal strength Wearied; and Time began to creep. Change closed about me like a sleep. Light glinted on the eyes I loved. The cup was filled. The bodies moved. The drifting petal came to ground. The laughter chimed its perfect round. The broken syllable was ended. And I, so certain and so friended, How could I cloud, or how distress, The heaven of your unconsciousness? Or shake at Time's sufficient spell, Stammering of lights unutterable? The eternal holiness of you, The timeless end, you never knew, The peace that lay, the light that shone. You never knew that I had gone A million miles away, and stayed A million years. The laughter played Unbroken round me; and the jest Flashed on. And we that knew the best Down wonderful hours grew happier yet. I sang at heart, and talked, and eat, And lived from laugh to laugh, I too, When you were there, and you, and you.
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The Ballad of Boh Da Thone Part 2 by Rudyard Kipling
So trusting Your Honour will somewhat retain True love and affection for Govt. Bullock Train,
'And show awful kindness to satisfy me, I am, Graceful Master, Your H. MUKERJI.'
. . . . .
As the rabbit is drawn to the rattlesnake's power, As the smoker's eye fills at the opium hour,
As a horse reaches up to the manger above, As the waiting ear yearns for the whisper of love,
From the arms of the Bride, iron-visaged and slow, The Captain bent down to the Head of the Boh.
And e'en as he looked on the Thing where It lay 'Twixt the winking new spoons and the napkins' array,
The freed mind fled back to the long-ago days -- The hand-to-hand scuffle -- the smoke and the blaze --
The forced march at night and the quick rush at dawn -- The banjo at twilight, the burial ere morn --
The stench of the marshes -- the raw, piercing smell When the overhand stabbing-cut silenced the yell --
The oaths of his Irish that surged when they stood Where the black crosses hung o'er the Kuttamow flood.
As a derelict ship drifts away with the tide The Captain went out on the Past from his Bride,
Back, back, through the springs to the chill of the year, When he hunted the Boh from Maloon to Tsaleer.
As the shape of a corpse dimmers up through deep water, In his eye lit the passionless passion of slaughter,
And men who had fought with O'Neil for the life Had gazed on his face with less dread than his wife.
For she who had held him so long could not hold him -- Though a four-month Eternity should have controlled him --
But watched the twin Terror -- the head turned to head -- The scowling, scarred Black, and the flushed savage Red --
The spirit that changed from her knowing and flew to Some grim hidden Past she had never a clue to.
But It knew as It grinned, for he touched it unfearing, And muttered aloud, 'So you kept that jade earring!'
Then nodded, and kindly, as friend nods to friend, 'Old man, you fought well, but you lost in the end.'
. . . . .
The visions departed, and Shame followed Passion: -- 'He took what I said in this horrible fashion,
'I'll write to Harendra!' With language unsainted The Captain came back to the Bride. . .who had fainted.
. . . . .
And this is a fiction? No. Go to Simoorie And look at their baby, a twelve-month old Houri,
A pert little, Irish-eyed Kathleen Mavournin -- She's always about on the Mall of a mornin' --
And you'll see, if her right shoulder-strap is displaced, This: Gules upon ~argent~, a Boh's Head, erased!
* Value Payable Parcels Post: in which the Government collects the money for the sender.
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A Valentine Song by Robert Louis Stevenson
MOTLEY I count the only wear That suits, in this mixed world, the truly wise, Who boldly smile upon despair And shake their bells in Grandam Grundy's eyes. Singers should sing with such a goodly cheer That the bare listening should make strong like wine, At this unruly time of year, The Feast of Valentine.
We do not now parade our 'oughts' And 'shoulds' and motives and beliefs in God. Their life lies all indoors; sad thoughts Must keep the house, while gay thoughts go abroad, Within we hold the wake for hopes deceased; But in the public streets, in wind or sun, Keep open, at the annual feast, The puppet-booth of fun.
Our powers, perhaps, are small to please, But even negro-songs and castanettes, Old jokes and hackneyed repartees Are more than the parade of vain regrets. Let Jacques stand Wert(h)ering by the wounded deer - We shall make merry, honest friends of mine, At this unruly time of year, The Feast of Valentine.
I know how, day by weary day, Hope fades, love fades, a thousand pleasures fade. I have not trudged in vain that way On which life's daylight darkens, shade by shade. And still, with hopes decreasing, griefs increased, Still, with what wit I have shall I, for one, Keep open, at the annual feast, The puppet-booth of fun.
I care not if the wit be poor, The old worn motley stained with rain and tears, If but the courage still endure That filled and strengthened hope in earlier years; If still, with friends averted, fate severe, A glad, untainted cheerfulness be mine To greet the unruly time of year, The Feast of Valentine.
Priest, I am none of thine, and see In the perspective of still hopeful youth That Truth shall triumph over thee - Truth to one's self - I know no other truth. I see strange days for thee and thine, O priest, And how your doctrines, fallen one by one, Shall furnish at the annual feast The puppet-booth of fun.
Stand on your putrid ruins - stand, White neck-clothed bigot, fixedly the same, Cruel with all things but the hand, Inquisitor in all things but the name. Back, minister of Christ and source of fear - We cherish freedom - back with thee and thine From this unruly time of year, The Feast of Valentine.
Blood thou mayest spare; but what of tears? But what of riven households, broken faith - Bywords that cling through all men's years And drag them surely down to shame and death? Stand back, O cruel man, O foe of youth, And let such men as hearken not thy voice Press freely up the road to truth, The King's highway of choice.
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Princesse Loysa Drawing by Richard Lovelace
I saw a little Diety, MINERVA in epitomy, Whom VENUS, at first blush, surpris'd, Tooke for her winged wagge disguis'd. But viewing then, whereas she made Not a distrest, but lively shade Of ECCHO whom he had betrayd, Now wanton, and ith' coole oth' Sunne With her delight a hunting gone, And thousands more, whom he had slaine; To live and love, belov'd againe: Ah! this is true divinity! I will un-God that toye! cri'd she; Then markt she SYRINX running fast To Pan's imbraces, with the haste Shee fled him once, whose reede-pipe rent He finds now a new Instrument. THESEUS return'd invokes the Ayre And windes, then wafts his faire; Whilst ARIADNE ravish't stood Half in his armes, halfe in the flood. Proud ANAXERETE doth fall At IPHIS feete, who smiles at all: And he (whilst she his curles doth deck) Hangs no where now, but on her neck. Here PHOEBUS with a beame untombes Long-hid LEUCOTHOE, and doomes Her father there; DAPHNE the faire Knowes now no bayes but round her haire; And to APOLLO and his Sons, Who pay him their due Orisons, Bequeaths her lawrell-robe, that flame Contemnes, Thunder and evill Fame. There kneel'd ADONIS fresh as spring, Gay as his youth, now offering Herself those joyes with voice and hand, Which first he could not understand. Transfixed VENUS stood amas'd, Full of the Boy and Love, she gaz'd, And in imbraces seemed more Senceless and colde then he before. Uselesse Childe! In vaine (said she) You beare that fond artillerie; See heere a pow'r above the slow Weake execution of thy bow. So said, she riv'd the wood in two, Unedged all his arrowes too, And with the string their feathers bound To that part, whence we have our wound. See, see! the darts by which we burn'd Are bright Loysa's pencills turn'd, With which she now enliveth more Beauties, than they destroy'd before.
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