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Love Poem Collection - 4
Confessions by Robert Browning
What is he buzzing in my ears? 'Now that I come to die, Do I view the world as a vale of tears?' Ah, reverend sir, not I!
What I viewed there once, what I view again Where the physic bottles stand On the table's edge,--is a suburb lane, With a wall to my bedside hand.
That lane sloped, much as the bottles do, From a house you could descry O'er the garden-wall; is the curtain blue Or green to a healthy eye?
To mine, it serves for the old June weather Blue above lane and wall; And that farthest bottle labelled 'Ether' Is the house o'ertopping all.
At a terrace, somewhere near the stopper, There watched for me, one June, A girl: I know, sir, it's improper, My poor mind's out of tune.
Only, there was a way... you crept Close by the side, to dodge Eyes in the house, two eyes except: They styled their house 'The Lodge.'
What right had a lounger up their lane? But, by creeping very close, With the good wall's help,--their eyes might strain And stretch themselves to Oes,
Yet never catch her and me together, As she left the attic, there, By the rim of the bottle labelled 'Ether,' And stole from stair to stair,
And stood by the rose-wreathed gate. Alas, We loved, sir--used to meet: How sad and bad and mad it was-- But then, how it was sweet!
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The Despot by Edith Nesbit
The garden mould was damp and chill, Winter had had his brutal will Since over all the year's content His devastating legions went.
Then Spring's bright banners came: there woke Millions of little growing folk Who thrilled to know the winter done, Gave thanks, and strove towards the sun.
Not so the elect; reserved, and slow To trust a stranger-sun and grow, They hesitated, cowered and hid Waiting to see what others did.
Yet even they, a little, grew, Put out prim leaves to day and dew, And lifted level formal heads In their appointed garden beds.
The gardener came: he coldly loved The flowers that lived as he approved, That duly, decorously grew As he, the despot, meant them to.
He saw the wildlings flower more brave And bright than any cultured slave; Yet, since he had not set them there, He hated them for being fair.
So he uprooted, one by one The free things that had loved the sun, The happy, eager, fruitful seeds That had not known that they were weeds.
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The Leaders Of The Crowd by William Butler Yeats
They must to keep their certainty accuse All that are different of a base intent; Pull down established honour; hawk for news Whatever their loose fantasy invent And murmur it with bated breath, as though The abounding gutter had been Helicon Or calumny a song. How can they know Truth flourishes where the student's lamp has shone, And there alone, that have no Solitude? So the crowd come they care not what may come. They have loud music, hope every day renewed And heartier loves; that lamp is from the tomb.
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Tales Of Arabia by Robert Louis Stevenson
Yes, friend, I own these tales of Arabia Smile not, as smiled their flawless originals, Age-old but yet untamed, for ages Pass and the magic is undiminished.
Thus, friend, the tales of the old Camaralzaman, Ayoub, the Slave of Love, or the Calendars, Blind-eyed and ill-starred royal scions, Charm us in age as they charmed in childhood.
Fair ones, beyond all numerability, Beam from the palace, beam on humanity, Bright-eyed, in truth, yet soul-less houris Offering pleasure and only pleasure.
Thus they, the venal Muses Arabian, Unlike, indeed, the nobler divinities, Greek Gods or old time-honoured muses, Easily proffer unloved caresses.
Lost, lost, the man who mindeth the minstrelsy; Since still, in sandy, glittering pleasances, Cold, stony fruits, gem-like but quite in- Edible, flatter and wholly starve him.
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Out of Pompeii by William Wilfred Campbell
She lay, face downward, on her beaded arm, In this her new, sweet dream of human bliss, Her heart within her fearful, fluttering, warm, Her lips yet pained with love's first timorous kiss. She did not note the darkening afternoon, She did not mark the lowering of the sky O'er that great city. Earth had given its boon Unto her lips, love touched her and passed by. In one dread moment all the sky grew dark, The hideous rain, the panic, the red rout, Where love lost love, and all the world might mark The city overwhelmed, blotted out Without one cry, so quick oblivion came, And life passed to the black where all forget; But she,—we know not of her house or name,— In love's sweet musings doth lie dreaming yet.
The dread hell passed, the ruined world grew still, And the great city passed to nothingness: The ages went and mankind worked its will. Then men stood still amid the centuries' press, And in the ash-hid ruins opened bare, As she lay down in her shamed loveliness, Sculptured and frozen, late they found her there, Image of love 'mid all that hideousness.
Her head, face downward, on her bended arm, Her single robe that showed her shapely form, Her wondrous fate love keeps divinely warm Over the centuries, past the slaying storm, The heart can read in writings time hath left, That linger still through death's oblivion; And in this waste of life and light bereft, She brings again a beauty that had gone.
And if there be a day when all shall wake, As dreams the hoping, doubting human heart, The dim forgetfulness of death will break For her as one who sleeps with lips apart; And did God call her suddenly, I know She'd wake as morning wakened by the thrush, Feel that red kiss across the centuries glow, And make all heaven rosier by her blush.
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