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Romance Poem Collection - 9
A White Rose by John Boyle O'Reilly
The red rose whispers of passion,
And the white rose breathes of love;
O the red rose is a falcon,
And the white rose is a dove.
But I send you a cream-white rosebud
With a flush on its petal tips;
For the love that is purest and sweetest
Has a kiss of desire on the lips.
= = = = = = = = = =
These, I, Singing In Spring by Walt Whitman
These, I, singing in spring, collect for lovers,
(For who but I should understand lovers, and all their sorrow and
joy?
And who but I should be the poet of comrades?)
Collecting, I traverse the garden, the world--but soon I pass the
gates,
Now along the pond-side--now wading in a little, fearing not the wet,
Now by the post-and-rail fences, where the old stones thrown there,
pick'd from the fields, have accumulated,
(Wild-flowers and vines and weeds come up through the stones, and
partly cover them--Beyond these I pass,)
Far, far in the forest, before I think where I go,
Solitary, smelling the earthy smell, stopping now and then in the
silence,
Alone I had thought--yet soon a troop gathers around me,
Some walk by my side, and some behind, and some embrace my arms or
neck,
They, the spirits of dear friends, dead or alive--thicker they come,
a great crowd, and I in the middle,
Collecting, dispensing, singing in spring, there I wander with them,
Plucking something for tokens--tossing toward whoever is near me;
Here! lilac, with a branch of pine,
Here, out of my pocket, some moss which I pull'd off a live-oak in
Florida, as it hung trailing down,
Here, some pinks and laurel leaves, and a handful of sage,
And here what I now draw from the water, wading in the pondside,
(O here I last saw him that tenderly loves me--and returns again,
never to separate from me,
And this, O this shall henceforth be the token of comrades--this
Calamus-root shall,
Interchange it, youths, with each other! Let none render it back!)
And twigs of maple, and a bunch of wild orange, and chestnut,
And stems of currants, and plum-blows, and the aromatic cedar:
These, I, compass'd around by a thick cloud of spirits,
Wandering, point to, or touch as I pass, or throw them loosely from
me,
Indicating to each one what he shall have--giving something to each;
But what I drew from the water by the pond-side, that I reserve,
I will give of it--but only to them that love, as I myself am capable
of loving.
= = = = = = = = = =
A Lovers' Quarrel by Robert Browning
I.
Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last night's rain,
And the South dries the hawthorn-spray.
Only, my Love's away!
I'd as lief that the blue were grey,
II.
Runnels, which rillets swell,
Must be dancing down the dell,
With a foaming head
On the beryl bed
Paven smooth as a hermit's cell;
Each with a tale to tell,
Could my Love but attend as well.
III.
Dearest, three months ago!
When we lived blocked-up with snow,---
When the wind would edge
In and in his wedge,
In, as far as the point could go---
Not to our ingle, though,
Where we loved each the other so!
IV.
Laughs with so little cause!
We devised games out of straws.
We would try and trace
One another's face
In the ash, as an artist draws;
Free on each other's flaws,
How we chattered like two church daws!
V.
What's in the `Times'?---a scold
At the Emperor deep and cold;
He has taken a bride
To his gruesome side,
That's as fair as himself is bold:
There they sit ermine-stoled,
And she powders her hair with gold.
VI.
Fancy the Pampas' sheen!
Miles and miles of gold and green
Where the sunflowers blow
In a solid glow,
And---to break now and then the screen---
Black neck and eyeballs keen,
Up a wild horse leaps between!
VII.
Try, will our table turn?
Lay your hands there light, and yearn
Till the yearning slips
Thro' the finger-tips
In a fire which a few discern,
And a very few feel burn,
And the rest, they may live and learn!
VIII.
Then we would up and pace,
For a change, about the place,
Each with arm o'er neck:
'Tis our quarter-deck,
We are seamen in woeful case.
Help in the ocean-space!
Or, if no help, we'll embrace.
IX.
See, how she looks now, dressed
In a sledging-cap and vest!
'Tis a huge fur cloak---
Like a reindeer's yoke
Falls the lappet along the breast:
Sleeves for her arms to rest,
Or to hang, as my Love likes best.
X.
Teach me to flirt a fan
As the Spanish ladies can,
Or I tint your lip
With a burnt stick's tip
And you turn into such a man!
Just the two spots that span
Half the bill of the young male swan.
XI.
Dearest, three months ago
When the mesmerizer Snow
With his hand's first sweep
Put the earth to sleep:
'Twas a time when the heart could show
All---how was earth to know,
'Neath the mute hand's to-and-fro?
XII.
Dearest, three months ago
When we loved each other so,
Lived and loved the same
Till an evening came
When a shaft from the devil's bow
Pierced to our ingle-glow,
And the friends were friend and foe!
XIII.
Not from the heart beneath---
'Twas a bubble born of breath,
Neither sneer nor vaunt,
Nor reproach nor taunt.
See a word, how it severeth!
Oh, power of life and death
In the tongue, as the Preacher saith!
XIV.
Woman, and will you cast
For a word, quite off at last
Me, your own, your You,---
Since, as truth is true,
I was You all the happy past---
Me do you leave aghast
With the memories We amassed?
XV.
Love, if you knew the light
That your soul casts in my sight,
How I look to you
For the pure and true
And the beauteous and the right,---
Bear with a moment's spite
When a mere mote threats the white!
XVI.
What of a hasty word?
Is the fleshly heart not stirred
By a worm's pin-prick
Where its roots are quick?
See the eye, by a fly's foot blurred---
Ear, when a straw is heard
Scratch the brain's coat of curd!
XVII.
Foul be the world or fair
More or less, how can I care?
'Tis the world the same
For my praise or blame,
And endurance is easy there.
Wrong in the one thing rare---
Oh, it is hard to bear!
XVIII.
Here's the spring back or close,
When the almond-blossom blows:
We shall have the word
In a minor third
There is none but the cuckoo knows:
Heaps of the guelder-rose!
I must bear with it, I suppose.
XIX.
Could but November come,
Were the noisy birds struck dumb
At the warning slash
Of his driver's-lash---
I would laugh like the valiant Thumb
Facing the castle glum
And the giant's fee-faw-fum!
XX.
Then, were the world well stripped
Of the gear wherein equipped
We can stand apart,
Heart dispense with heart
In the sun, with the flowers unnipped,---
Oh, the world's hangings ripped,
We were both in a bare-walled crypt!
XXI.
Each in the crypt would cry
``But one freezes here! and why?
``When a heart, as chill,
``At my own would thrill
``Back to life, and its fires out-fly?
``Heart, shall we live or die?
``The rest. . . . settle by-and-by!'
XXII.
So, she'd efface the score,
And forgive me as before.
It is twelve o'clock:
I shall hear her knock
In the worst of a storm's uproar,
I shall pull her through the door,
I shall have her for evermore!
= = = = = = = = = =
Part Three: Love, XXXVI by Emily Dickinson
MY worthiness is all my doubt,
His merit all my fear,
Contrasting which, my qualities
Do lowlier appear;
Lest I should insufficient prove
For his beloved need,
The chiefest apprehension
Within my loving creed.
So I, the undivine abode
Of his elect content,
Conform my soul as ’t were a church
Unto her sacrament.
= = = = = = = = = =
The Letter by Charlotte Bronte
What is she writing? Watch her now,
How fast her fingers move!
How eagerly her youthful brow
Is bent in thought above!
Her long curls, drooping, shade the light,
She puts them quick aside,
Nor knows that band of crystals bright,
Her hasty touch untied.
It slips adown her silken dress,
Falls glittering at her feet;
Unmarked it falls, for she no less
Pursues her labour sweet.
The very loveliest hour that shines,
Is in that deep blue sky;
The golden sun of June declines,
It has not caught her eye.
The cheerful lawn, and unclosed gate,
The white road, far away,
In vain for her light footsteps wait,
She comes not forth to-day.
There is an open door of glass
Close by that lady's chair,
From thence, to slopes of messy grass,
Descends a marble stair.
Tall plants of bright and spicy bloom
Around the threshold grow;
Their leaves and blossoms shade the room
From that sun's deepening glow.
Why does she not a moment glance
Between the clustering flowers,
And mark in heaven the radiant dance
Of evening's rosy hours?
O look again! Still fixed her eye,
Unsmiling, earnest, still,
And fast her pen and fingers fly,
Urged by her eager will.
Her soul is in th'absorbing task;
To whom, then, doth she write?
Nay, watch her still more closely, ask
Her own eyes' serious light;
Where do they turn, as now her pen
Hangs o'er th'unfinished line?
Whence fell the tearful gleam that then
Did in their dark spheres shine?
The summer-parlour looks so dark,
When from that sky you turn,
And from th'expanse of that green park,
You scarce may aught discern.
Yet, o'er the piles of porcelain rare,
O'er flower-stand, couch, and vase,
Sloped, as if leaning on the air,
One picture meets the gaze.
'Tis there she turns; you may not see
Distinct, what form defines
The clouded mass of mystery
Yon broad gold frame confines.
But look again; inured to shade
Your eyes now faintly trace
A stalwart form, a massive head,
A firm, determined face.
Black Spanish locks, a sunburnt cheek
A brow high, broad, and white,
Where every furrow seems to speak
Of mind and moral might.
Is that her god? I cannot tell;
Her eye a moment met
Th'impending picture, then it fell
Darkened and dimmed and wet.
A moment more, her task is done,
And sealed the letter lies;
And now, towards the setting sun
She turns her tearful eyes.
Those tears flow over, wonder not,
For by the inscription see
In what a strange and distant spot
Her heart of hearts must be!
Three seas and many a league of land
That letter must pass o'er,
Ere read by him to whose loved hand
'Tis sent from England's shore.
Remote colonial wilds detain
Her husband, loved though stern;
She, 'mid that smiling English scene,
Weeps for his wished return.
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