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Love Poem Collection - 13
The Phases Of The Moon by William Butler Yeats
I{An old man cocked his car upon a bridge;} I{He and his friend, their faces to the South,} I{Had trod the uneven road. Their hoots were soiled,} I{Their Connemara cloth worn out of shape;} I{They had kept a steady pace as though their beds,} I{Despite a dwindling and late-risen moon,} I{Were distant still. An old man cocked his ear.} I{Aherne.} What made that Sound? I{Robartes.} A rat or water-hen Splashed, or an otter slid into the stream. We are on the bridge; that shadow is the tower, And the light proves that he is reading still. He has found, after the manner of his kind, Mere images; chosen this place to live in Because, it may be, of the candle-light From the far tower where Milton's Platonist Sat late, or Shelley's visionary prince: The lonely light that Samuel Palmer engraved, An image of mysterious wisdom won by toil; And now he seeks in book or manuscript What he shall never find. I{Ahernc.} Why should not you Who know it all ring at his door, and speak Just truth enough to show that his whole life Will scarcely find for him a broken crust Of all those truths that are your daily bread; And when you have spoken take the roads again? I{Robartes.} He wrote of me in that extravagant style He had learnt from pater, and to round his tale Said I was dead; and dead I choose to be. i{Aherne.} Sing me the changes of the moon once more; True song, though speech: 'mine author sung it me.' I{Robartes.} Twenty-and-eight the phases of the moon, The full and the moon's dark and all the crescents, Twenty-and-eight, and yet but six-and-twenty The cradles that a man must needs be rocked in: For there's no human life at the full or the dark. From the first crescent to the half, the dream But summons to adventure and the man Is always happy like a bird or a beast; But while the moon is rounding towards the full He follows whatever whim's most difficult Among whims not impossible, and though scarred. As with the cat-o'-nine-tails of the mind, His body moulded from within his body Grows comelier. Eleven pass, and then Athene takes Achilles by the hair, Hector is in the dust, Nietzsche is born, Because the hero's crescent is the twelfth. And yet, twice born, twice buried, grow he must, Before the full moon, helpless as a worm. The thirteenth moon but sets the soul at war In its own being, and when that war's begun There is no muscle in the arm; and after, Under the frenzy of the fourteenth moon, The soul begins to tremble into stillness, To die into the labyrinth of itself! I{Aherne.} Sing out the song; sing to the end, and sing The strange reward of all that discipline. I{Robartes.} All thought becomes an image and the soul Becomes a body: that body and that soul Too perfect at the full to lie in a cradle, Too lonely for the traffic of the world: Body and soul cast out and cast away Beyond the visible world. I{Aherne.} All dreams of the soul End in a beautiful man's or woman's body. I{Robartes,} Have you not always known it? I{Aherne.} The song will have it That those that we have loved got their long fingers From death, and wounds, or on Sinai's top, Or from some bloody whip in their own hands. They ran from cradle to cradle till at last Their beauty dropped out of the loneliness Of body and soul. I{Robartes.} The lover's heart knows that. I{Aherne.} It must be that the terror in their eyes Is memory or foreknowledge of the hour When all is fed with light and heaven is bare. I{Robartes.} When the moon's full those creatures of the full Are met on the waste hills by countrymen Who shudder and hurry by: body and soul Estranged amid the strangeness of themselves, Caught up in contemplation, the mind's eye Fixed upon images that once were thought; For separate, perfect, and immovable Images can break the solitude Of lovely, satisfied, indifferent eyes. I{And thereupon with aged, high-pitched voice} I{Aherne laughed, thinking of the man within,} I{His sleepless candle and lahorious pen.} I{Robartes.} And after that the crumbling of the moon.The soul remembering its loneliness Shudders in many cradles; all is changed, It would be the world's servant, and as it serves, Choosing whatever task's most difficult Among tasks not impossible, it takes Upon the body and upon the soul The coarseness of the drudge. I{Aherne.} Before the full It sought itself and afterwards the world. i{Robartes.} Because you are forgotten, half out of life, And never wrote a book, your thought is clear. Reformer, merchant, statesman, learned man, Dutiful husband, honest wife by turn, Cradle upon cradle, and all in flight and all Deformed because there is no deformity But saves us from a dream. I{Aherne.} And what of those That the last servile crescent has set free? i{Robartes.} Because all dark, like those that are all light, They are cast beyond the verge, and in a cloud, Crying to one another like the bats; And having no desire they cannot tell What's good or bad, or what it is to triumph At the perfection of one's own obedience; And yet they speak what's blown into the mind; Deformed beyond deformity, unformed, Insipid as the dough before it is baked, They change their bodies at a word. I{Aherne.} And then? i{Rohartes.} When all the dough has been so kneaded up That it can take what form cook Nature fancies, The first thin crescent is wheeled round once more. I{Aherne.} But the escape; the song's not finished yet. I{Robartes.} Hunchback and Saint and Fool are the last crescents. The burning bow that once could shoot an arrow Out of the up and down, the wagon-wheel Of beauty's cruelty and wisdom's chatter -- Out of that raving tide -- is drawn betwixt Deformity of body and of mind. i{Aherne.} Were not our beds far off I'd ring the bell, Stand under the rough roof-timbers of the hall Beside the castle door, where all is stark Austerity, a place set out for wisdom That he will never find; I'd play a part; He would never know me after all these years But take me for some drunken countryman: I'd stand and mutter there until he caught 'Hunchback and Sant and Fool,' and that they came Under the three last crescents of the moon. And then I'd stagger out. He'd crack his wits Day after day, yet never find the meaning. I{And then he laughed to think that what seemed hard} I{Should be so simple -- a bat rose from the hazels} I{And circled round him with its squeaky cry,} I{The light in the tower window was put out.}
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A Tombless Epitaph by Samuel Taylor Coleridge
Tis true, Idoloclastes Satyrane ! (So call him, for so mingling blame with praise, And smiles with anxious looks, his earliest friends, Masking his birth-name, wont to character His wild-wood fancy and impetuous zeal,) 'Tis true that, passionate for ancient truths, And honouring with religious love the Great Of elder times, he hated to excess, With an unquiet and intolerant scorn, The hollow Puppets of an hollow Age, Ever idolatrous, and changing ever Its worthless Idols ! Learning, Power, and Time, (Too much of all) thus wasting in vain war Of fervid colloquy. Sickness, 'tis true, Whole years of weary days, besieged him close, Even to the gates and inlets of his life ! But it is true, no less, that strenuous, firm, And with a natural gladness, he maintained The citadel unconquered, and in joy Was strong to follow the delightful Muse. For not a hidden path, that to the shades Of the beloved Parnassian forest leads, Lurked undiscovered by him ; not a rill There issues from the fount of Hippocrene, But he had traced it upward to its source, Through open glade, dark glen, and secret dell, Knew the gay wild flowers on its banks, and culled Its med'cinable herbs. Yea, oft alone, Piercing the long-neglected holy cave, The haunt obscure of old Philosophy, He bade with lifted torch its starry walls Sparkle, as erst they sparkled to the flame Of odorous lamps tended by Saint and Sage. O framed for calmer times and nobler hearts ! O studious Poet, eloquent for truth ! Philosopher ! contemning wealth and death, Yet docile, childlike, full of Life and Love ! Here, rather than on monumental stone, This record of thy worth thy Friend inscribes, Thoughtful, with quiet tears upon his cheek.
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An Elegy on a Lap-dog by John Gay
Shock's fate I mourn; poor Shock is now no more, Ye Muses mourn, ye chamber-maids deplore. Unhappy Shock! yet more unhappy fair, Doom'd to survive thy joy and only care! Thy wretched fingers now no more shall deck, And tie the fav'rite ribbon round his neck; No more thy hand shall smooth his glossy hair, And comb the wavings of his pendent ear. Yet cease thy flowing grief, forsaken maid; All mortal pleasures in a moment fade: Our surest hope is in an hour destroy'd, And love, best gift of heav'n, not long enjoy'd.
Methinks I see her frantic with despair, Her streaming eyes, wrung hands, and flowing hair Her Mechlen pinners rent the floor bestrow, And her torn fan gives real signs of woe. Hence Superstition, that tormenting guest, That haunts with fancied fears the coward breast; No dread events upon his fate attend, Stream eyes no more, no more thy tresses rend. Tho' certain omens oft forewarn a state, And dying lions show the monarch's fate; Why should such fears bid Celia's sorrow rise? For when a lap-dog falls no lover dies.
Cease, Celia, cease; restrain thy flowing tears, Some warmer passion will dispel thy cares. In man you'll find a more substantial bliss, More grateful toying, and a sweeter kiss.
He's dead. Oh lay him gently in the ground! And may his tomb be by this verse renown'd. Here Shock, the pride of all his kind, is laid; Who fawn'd like man, but ne'er like man betray'd.
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Let Love Go, If Go She Will by Robert Louis Stevenson
Let love go, if go she will. Seek not, O fool, her wanton flight to stay. Of all she gives and takes away The best remains behind her still.
The best remains behind; in vain Joy she may give and take again, Joy she may take and leave us pain, If yet she leave behind The constant mind To meet all fortunes nobly, to endure All things with a good heart, and still be pure, Still to be foremost in the foremost cause, And still be worthy of the love that was. Love coming is omnipotent indeed, But not Love going. Let her go. The seed Springs in the favouring Summer air, and grows, And waxes strong; and when the Summer goes, Remains, a perfect tree.
Joy she may give and take again, Joy she may take and leave us pain. O Love, and what care we? For one thing thou hast given, O Love, one thing Is ours that nothing can remove; And as the King discrowned is still a King, The unhappy lover still preserves his love.
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To His Coy Mistress Part 1 by Andrew Marvell
Had we but World enough, and Time, This coyness Lady were no crime. We would sit down, and think which way To walk, and pass our long Loves Day. Thou by the Indian Ganges side. Should'st Rubies find: I by the Tide Of Humber would complain. I would Love you ten years before the Flood: And you should if you please refuse Till the Conversion of the Jews. My vegetable Love should grow Vaster then Empires, and more slow. An hundred years should go to praise Thine Eyes, and on thy Forehead Gaze. Two hundred to adore each Breast. But thirty thousand to the rest. An Age at least to every part, And the last Age should show your Heart. For Lady you deserve this State; Nor would I love at lower rate. But at my back I alwaies hear Times winged Charriot hurrying near:
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