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Love Poem Collection - 54

Sonnet 37 by Thomas Lodge

These fierce incessant waves that stream along my face,
Which show the certain proof of my ne'er ceasing pains,
Fair Phillis, are no tears that trickle from my brains;
For why? Such streams of ruth within me find no place.
These floods that wet my cheeks are gathered from from thy grace
And thy perfections, and from hundred thousand flowers
Which from thy beauties spring; whereto I medley showers
Of rose and lilies too, the colours of thy face.
My love doth serve for fire, my heart the furnace is,
The aperries of my sighs augment the burning flame,
The limbec is mine eye that doth distil the same;
And by how much my fire is violent and sly,
By so much doth it cause the waters mount on high,
That shower from out mine eyes, for to assuage my miss.

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The Sliprails and the Spur by Henry Lawson

The colours of the setting sun
Withdrew across the Western land --
He raised the sliprails, one by one,
And shot them home with trembling hand;
Her brown hands clung -- her face grew pale --
Ah! quivering chin and eyes that brim! --
One quick, fierce kiss across the rail,
And, `Good-bye, Mary!' `Good-bye, Jim!'
Oh, he rides hard to race the pain
Who rides from love, who rides from home;
But he rides slowly home again,
Whose heart has learnt to love and roam.

A hand upon the horse's mane,
And one foot in the stirrup set,
And, stooping back to kiss again,
With `Good-bye, Mary! don't you fret!
When I come back' -- he laughed for her --
`We do not know how soon 'twill be;
I'll whistle as I round the spur --
You let the sliprails down for me.'

She gasped for sudden loss of hope,
As, with a backward wave to her,
He cantered down the grassy slope
And swiftly round the dark'ning spur.
Black-pencilled panels standing high,
And darkness fading into stars,
And blurring fast against the sky,
A faint white form beside the bars.

And often at the set of sun,
In winter bleak and summer brown,
She'd steal across the little run,
And shyly let the sliprails down.
And listen there when darkness shut
The nearer spur in silence deep;
And when they called her from the hut
Steal home and cry herself to sleep.

And he rides hard to dull the pain
Who rides from one that loves him best;
And he rides slowly back again,
Whose restless heart must rove for rest.

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Part Three: Love, XXXVII by Emily Dickinson

LOVE is anterior to life,
Posterior to death,
Initial of creation, and
The exponent of breath

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The Garden Of Boccaccio by Samuel Taylor Coleridge

Of late, in one of those most weary hours,
When life seems emptied of all genial powers,
A dready mood, which he who ne'er has known
May bless his happy lot, I sate alone ;
And, from the numbing spell to win relief,
Call'd on the Past for thought of glee or grief.
In vain ! bereft alike of grief and glee,
I sate and cow'r'd o'er my own vacancy !
And as I watch'd the dull continuous ache,
Which, all else slumb'ring, seem'd alone to wake ;
O Friend ! long wont to notice yet conceal,
And soothe by silence what words cannot heal,
I but half saw that quiet hand of thine
Place on my desk this exquisite design.
Boccaccio's Garden and its faery,
The love, the joyaunce, and the gallantry !
An Idyll, with Boccaccio's spirit warm,
Framed in the silent poesy of form.
Like flocks adown a newly-bath�d steep

Emerging from a mist : or like a stream

Of music soft that not dispels the sleep,

But casts in happier moulds the slumberer's dream,

Gazed by an idle eye with silent might
The picture stole upon my inward sight.
A tremulous warmth crept gradual o'er my chest,
As though an infant's finger touch'd my breast.
And one by one (I know not whence) were brought
All spirits of power that most had stirr'd my thought
In selfless boyhood, on a new world tost
Of wonder, and in its own fancies lost ;
Or charm'd my youth, that, kindled from above,
Loved ere it loved, and sought a form for love ;
Or lent a lustre to the earnest scan
Of manhood, musing what and whence is man !
...
And many a verse which to myself I sang,
That woke the tear, yet stole away the pang,
Of hopes, which in lamenting I renew'd :
...
Thanks, gentle artist ! now I can descry
Thy fair creation with a mastering eye,
And all awake ! And now in fix'd gaze stand,
Now wander through the Eden of thy hand ;
...
I see no longer ! I myself am there,
Sit on the ground-sward, and the banquet share.
'Tis I, that sweep that lute's love-echoing strings,
And gaze upon the maid who gazing sings :
Or pause and listen to the tinkling bells
From the high tower, and think that there she dwells.
With old Boccaccio's soul I stand possest,
And breathe an air like life, that swells my chest.
...

Still in thy garden let me watch their pranks,
...
With that sly satyr peeping through the leaves !

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Sonnet CXVIII by William Shakespeare

Like as, to make our appetites more keen,
With eager compounds we our palate urge,
As, to prevent our maladies unseen,
We sicken to shun sickness when we purge,
Even so, being tuff of your ne'er-cloying sweetness,
To bitter sauces did I frame my feeding
And, sick of welfare, found a kind of meetness
To be diseased ere that there was true needing.
Thus policy in love, to anticipate
The ills that were not, grew to faults assured
And brought to medicine a healthful state
Which, rank of goodness, would by ill be cured:
But thence I learn, and find the lesson true,
Drugs poison him that so fell sick of you.

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