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Love Poem Collection - 11
To a Mountain Daisy by Robert Burns
Wee, modest, crimson-tippèd flow'r, Thou's met me in an evil hour; For I maun crush amang the stoure Thy slender stem: To spare thee now is past my pow'r, Thou bonie gem.
Alas! it's no thy neibor sweet, The bonie lark, companion meet, Bending thee 'mang the dewy weet Wi' spreck'd breast, When upward-springing, blythe, to greet The purpling east.
Cauld blew the bitter-biting north Upon thy early, humble birth; Yet cheerfully thou glinted forth Amid the storm, Scarce rear'd above the parent-earth Thy tender form.
The flaunting flowers our gardens yield High shelt'ring woods an' wa's maun shield: But thou, beneath the random bield O' clod or stane, Adorns the histie stibble-field Unseen, alane.
There, in thy scanty mantle clad, Thy snawie-bosom sun-ward spread, Thou lifts thy unassuming head In humble guise; But now the share uptears thy bed, And low thou lies!
Such is the fate of artless maid, Sweet flow'ret of the rural shade! By love's simplicity betray'd And guileless trust; Till she, like thee, all soil'd, is laid Low i' the dust.
Such is the fate of simple bard, On life's rough ocean luckless starr'd! Unskilful he to note the card Of prudent lore, Till billows rage and gales blow hard, And whelm him o'er!
Such fate to suffering Worth is giv'n, Who long with wants and woes has striv'n, By human pride or cunning driv'n To mis'ry's brink; Till, wrench'd of ev'ry stay but Heav'n, He ruin'd sink!
Ev'n thou who mourn'st the Daisy's fate, That fate is thine--no distant date; Stern Ruin's ploughshare drives elate, Full on thy bloom, Till crush'd beneath the furrow's weight Shall be thy doom.
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True Beauty by Francis Beaumont
May I find a woman fair, And her mind as clear as air, If her beauty go alone, 'Tis to me as if't were none.
May I find a woman rich, And not of too high a pitch; If that pride should cause disdain, Tell me, lover, where's thy gain?
May I find a woman wise, And her falseliood not disguise; Hath she wit as she hath will, Double arm'd she is to ill.
May I find a woman kind, And not wavering like the wind: How should I call that love mine, When 'tis his, and his, and thine?
May I find a woman true, There is Bettutv's fairest hue, There is Beauty, Love, and Wit: Happy he can compass it.
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Mariana In The South by Lord Alfred Tennyson
With one black shadow at its feet, The house thro' all the level shines, Close-latticed to the brooding heat, And silent in its dusty vines: A faint-blue ridge upon the right, An empty river-bed before, And shallows on a distant shore, In glaring sand and inlets bright. But 'Aye Mary,' made she moan, And 'Aye Mary,' night and morn, And 'Ah,' she sang, 'to be all alone, To live forgotten, and love forlorn.'
She, as her carol sadder grew, From brow and bosom slowly down Thro' rosy taper fingers drew Her streaming curls of deepest brown To left and right, and made appear, Still-lighted in a secret shrine, Her melancholy eyes divine, The home of woe without a tear. And 'Aye Mary,' was her moan, 'Madonna, sad is night and morn;' And 'Ah,' she sang, 'to be all alone, To live forgotten, and love forlorn.'
Till all the crimson changed, and past Into deep orange o'er the sea, Low on her knees herself she cast, Before Our Lady murmur'd she: Complaining, 'Mother, give me grace To help me of my weary load.' And on the liquid mirror glow'd The clear perfection of her face. 'Is this the form,' she made her moan, 'That won his praises night and morn?' And 'Ah,' she said, 'but I wake alone, I sleep forgotten, I wake forlorn.'
Nor bird would sing, nor lamb would bleat, Nor any cloud would cross the vault, But day increased from heat to heat, On stony drought and steaming salt; Till now at noon she slept again, And seem'd knee-deep in mountain grass, And heard her native breezes pass, And runlets babbling down the glen. She breathed in sleep a lower moan, And murmuring, as at night and morn She thought, 'My spirit is here alone, Walks forgotten, and is forlorn.'
Dreaming, she knew it was a dream: She felt he was and was not there. She woke: the babble of the stream Fell, and, without, the steady glare Shrank one sick willow sere and small. The river-bed was dusty-white; And all the furnace of the light Struck up against the blinding wall. She whisper'd, with a stifled moan More inward than at night or morn, 'Sweet Mother, let me not here alone Live forgotten and die forlorn.'
And, rising, from her bosom drew Old letters, breathing of her worth, For 'Love', they said, 'must needs be true, To what is loveliest upon earth.' An image seem'd to pass the door, To look at her with slight, and say, 'But now thy beauty flows away, So be alone for evermore.' 'O cruel heart,' she changed her tone, 'And cruel love, whose end is scorn, Is this the end to be left alone, To live forgotten, and die forlorn?'
But sometimes in the falling day An image seem'd to pass the door, To look into her eyes and say, 'But thou shalt be alone no more.' And flaming downward over all From heat to heat the day decreased, And slowly rounded to the east The one black shadow from the wall. 'The day to night,' she made her moan, 'The day to night, the night to morn, And day and night I am left alone To live forgotten, and love forlorn.'
At eve a dry cicala sung, There came a sound as of the sea; Backward the lattice-blind she flung, And lean'd upon the balcony. There all in spaces rosy-bright Large Hesper glitter'd on her tears, And deepening thro' the silent spheres Heaven over Heaven rose the night. And weeping then she made her moan, 'The night comes on that knows not morn, When I shall cease to be all alone, To live forgotten, and love forlorn.'
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The Dong with a Luminous Nose by Edward Lear
When awful darkness and silence reign Over the great Gromboolian plain, Through the long, long wintry nights; -- When the angry breakers roar As they beat on the rocky shore; -- When Storm-clouds brood on the towering heights Of the Hills of the Chankly Bore: --
Then, through the vast and gloomy dark, There moves what seems a fiery spark, A lonely spark with silvery rays Piercing the coal-black night, -- A Meteor strange and bright: -- Hither and thither the vision strays, A single lurid light.
Slowly it wander, -- pauses, -- creeps, -- Anon it sparkles, -- flashes and leaps; And ever as onward it gleaming goes A light on the Bong-tree stems it throws. And those who watch at that midnight hour From Hall or Terrace, or lofty Tower, Cry, as the wild light passes along, -- 'The Dong! -- the Dong! 'The wandering Dong through the forest goes! 'The Dong! the Dong! 'The Dong with a luminous Nose!'
Long years ago The Dong was happy and gay, Till he fell in love with a Jumbly Girl Who came to those shores one day. For the Jumblies came in a sieve, they did, -- Landing at eve near the Zemmery Fidd Where the Oblong Oysters grow, And the rocks are smooth and gray. And all the woods and the valleys rang With the Chorus they daily and nightly sang, -- 'Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and the hands are blue And they went to sea in a sieve.
Happily, happily passed those days! While the cheerful Jumblies staid; They danced in circlets all night long, To the plaintive pipe of the lively Dong, In moonlight, shine, or shade. For day and night he was always there By the side of the Jumbly Girl so fair, With her sky-blue hands, and her sea-green hair. Till the morning came of that hateful day When the Jumblies sailed in their sieve away, And the Dong was left on the cruel shore Gazing -- gazing for evermore, -- Ever keeping his weary eyes on That pea-green sail on the far horizon, -- Singing the Jumbly Chorus still As he sate all day on the grassy hill, -- 'Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and the hands are blue And they went to sea in a sieve.
But when the sun was low in the West, The Dong arose and said; -- 'What little sense I once possessed Has quite gone out of my head!' -- And since that day he wanders still By lake and dorest, marsh and hills, Singing -- 'O somewhere, in valley or plain 'Might I find my Jumbly Girl again! 'For ever I'll seek by lake and shore 'Till I find my Jumbly Girl once more!'
Playing a pipe with silvery squeaks, Since then his Jumbly Girl he seeks, And because by night he could not see, He gathered the bark of the Twangum Tree On the flowery plain that grows. And he wove him a wondrous Nose, -- A Nose as strange as a Nose could be! Of vast proportions and painted red, And tied with cords to the back of his head. -- In a hollow rounded space it ended With a luminous Lamp within suspended, All fenced about With a bandage stout To prevent the wind from blowing it out; -- And with holes all round to send the light, In gleaming rays on the dismal night.
And now each night, and all night long, Over those plains still roams the Dong; And above the wail of the Chimp and Snipe You may hear the squeak of his plaintive pipe While ever he seeks, but seeks in vain To meet with his Jumbly Girl again; Lonely and wild -- all night he goes, -- The Dong with a luminous Nose! And all who watch at the midnight hour, From Hall or Terrace, or lofty Tower, Cry, as they trace the Meteor bright, Moving along through the dreary night, -- 'This is the hour when forth he goes, 'The Dong with a luminous Nose! 'Yonder -- over the plain he goes; 'He goes! 'He goes; 'The Dong with a luminous Nose!'
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The Beggar Maid by Lord Alfred Tennyson
Her arms across her breast she laid; She was more fair than words can say; Barefooted came the beggar maid Before the king Cophetua. In robe and crown the king stept down, To meet and greet her on her way; ‘It is no wonder,’ said the lords, ‘She is more beautiful than day.’
As shines the moon in clouded skies, She in her poor attire was seen; One praised her ankles, one her eyes, One her dark hair and lovesome mien. So sweet a face, such angel grace, In all that land had never been. Cophetua sware a royal oath: ‘This beggar maid shall be my queen!’
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