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Romantic Poetry - 50
The Discontent by Anne Killigrew
I. HEre take no Care, take here no Care, my Muse, Nor ought of Art or Labour use: But let thy Lines rude and unpolisht go, Nor Equal be their Feet, nor Num'rous let them flow. The ruggeder my Measures run when read, They'l livelier paint th'unequal Paths fond Mortals tread. Who when th'are tempted by the smooth Ascents, Which flatt'ring Hope presents, Briskly they clime, and Great Things undertake; But Fatal Voyages, alas, they make: For 'tis not long before their Feet, Inextricable Mazes meet, Perplexing Doubts obstruct their Way, Mountains with-stand them of Dismay; Or to the Brink of black Dispaire them lead, Where's nought their Ruine to impede,
In vain for Aide they then to Reason call, Their Senses dazle, and their Heads turn round, The sight does all their Pow'rs confound, And headlong down the horrid Precipice they fall: Where storms of Sighs for ever blow, Where raped streams of Tears do flow, Which drown them in a Briny Floud. My Muse pronounce aloud, there's nothing Good, Nought that the World can show, Nought that it can bestow.
II. Not boundless Heaps of its admired Clay, Ah, too successful to betray, When spread in our fraile Vertues way: For few do run with so Resolv'd a Pace, That for the Golden Apple will not loose the Race. And yet not all the Gold the Vain would spend, Or greedy Avarice would wish to save; Which on the Earth refulgent Beams doth send, Or in the Sea has found a Grave, Joyn'd in one Mass, can Bribe sufficient be, The Body from a stern Disease to free,
Or purchase for the Minds relief One Moments sweet Repose, when restless made by grief, But what may Laughter, more than Pity, move: When some the Price of what they Dear'st Love Are Masters of, and hold it in their Hand, To part with it their Hearts they can't command: But chose to miss, what miss't does them torment, And that to hug, affords them no Content. Wise Fools, to do them Right, we these must hold, Who Love depose, and Homage pay to Gold.
III. Nor yet, if rightly understood, Does Grandeur carry more of Good; To be o'th' Number of the Great enroll'd, A Scepter o're a Mighty Realm to hold. For what is this? If I not judge amiss. But all th'Afflicted of a Land to take, And of one single Family to make? The Wrong'd, the Poor, th'Opprest, the Sad, The Ruin'd, Malecontent, and Mad?
Which a great Part of ev'ry Empire frame, And Interest in the common Father claime. Again what is't, but always to abide A Gazing Crowd? upon a Stage to spend A Life that's vain, or Evil without End? And which is yet not safely held, nor laid aside? And then, if lesser Titles carry less of Care, Yet none but Fools ambitious are to share Such a Mock-Good, of which 'tis said, 'tis Best, When of the least of it Men are possest.
IV. But, O, the Laurel'd Fool! that doats on Fame, Whose Hope's Applause, whose Fear's to want a Name; Who can accept for Pay Of what he does, what others say; Exposes now to hostile Arms his Breast, To toylsome Study then betrays his Rest; Now to his Soul denies a just Content, Then forces on it what it does resent; And all for Praise of Fools: for such are those, Which most of the Admiring Crowd compose. O famisht Soul, which such Thin Food can feed! O Wretched Labour crown'd with such a Meed!
Too loud, O Fame! thy Trumpet is, too shrill, To lull a Mind to Rest, Or calme a stormy Breast, Which asks a Musick soft and still. 'Twas not Amaleck's vanquisht Cry, Nor Israels shout of Victory, That could in Saul the rising Passion lay, 'Twas the soft strains of David's Lyre the Evil Spirit chace't away.
V. But Friendship fain would yet it self defend, And Mighty Things it does pretend, To be of this Sad Journey, Life, the Baite, The Sweet Refection of our toylsome State. But though True Friendship a Rich Cordial be, Alas, by most 'tis so alay'd, Its Good so mixt with Ill we see, That Dross for Gold is often paid. And for one Grain of Friendship that is found, Falshood and Interest do the Mass compound, Or coldness, worse than Steel, the Loyal heart doth wound. Love in no Two was ever yet the same, No Happy Two ere felt an Equal Flame.
VI. Is there that Earth by Humane Foot ne're prest? That Aire which never yet by Humane Breast Respir'd, did Life supply? Oh, thither let me fly! Where from the World at such a distance set, All that's past, present, and to come I may forget: The Lovers Sighs, and the Afflicted Tears, What e're may wound my Eyes or Ears. The grating Noise of Private Jars, The horrid sound of Publick Wars, Of babling Fame the Idle Stories, The short-liv'd Triumphs Noysy-Glories, The Curious Nets the subtile weave, The Word, the Look that may deceive. No Mundan Care shall more affect my Breast, My profound Peace shake or molest: But Stupor, like to Death, my Senses bind, That so I may anticipate that Rest, Which only in my Grave I hope to find.
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The Clod and the Pebble by William Blake
Love seeketh not itself to please, Nor for itself hath any care, But for another gives its ease, And builds a heaven in hell's despair.'
So sung a little clod of clay, Trodden with the cattle's feet; But a pebble of the brook Warbled out these meters meet:
'Love seeketh only Self to please, To bind another to its delight, Joys in another's loss of ease, And builds a hell in heaven's despite.'
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The Love Song of J. Alfred Prufrock by T.S. Elliot
Let us go then, you and I, When the evening is spread out against the sky Like a patient etherised upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question... Oh, do not ask, 'What is it?' Let us go and make our visit.
In the room the women come and go Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, Curled once about the house, and fell asleep.
And indeed there will be time For the yellow smoke that slides along the street, Rubbing its back upon the window-panes; There will be time, there will be time To prepare a face to meet the faces that you meet; There will be time to murder and create, And time for all the works and days of hands That lift and drop a question on your plate; Time for you and time for me, And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea.
In the room the women come and go Talking of Michelangelo.
And indeed there will be time To wonder, 'Do I dare?' and, 'Do I dare?' Time to turn back and descend the stair, With a bald spot in the middle of my hair - (They will say: 'How his hair is growing thin!') My morning coat, my collar mounting firmly to the chin, My necktie rich and modest, but asserted by a simple pin - (They will say: 'But how his arms and legs are thin!') Do I dare Disturb the universe? In a minute there is time For decisions and revisions which a minute will reverse.
For I have known them all already, known them all - Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room. So how should I presume?
And I have known the eyes already, known them all - The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways? And how should I presume?
And I have known the arms already, known them all - Arms that are braceleted and white and bare (But in the lamplight, downed with light brown hair!) Is it perfume from a dress That makes me so digress? Arms that lie along a table, or wrap about a shawl. And should I then presume? And how should I begin?
Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows?...
I should have been a pair of ragged claws Scuttling across the floors of silent seas.
And the afternoon, the evening, sleeps so peacefully! Smoothed by long fingers, Asleep ... tired ... or it malingers, Stretched on the floor, here beside you and me. Should I, after tea and cakes and ices, Have the strength to force the moment to its crisis? But though I have wept and fasted, wept and prayed, Though I have seen my head (grown slightly bald) brought in upon a platter, I am no prophet - and here's no great matter; I have seen the moment of my greatness flicker, And I have seen the eternal Footman hold my coat, and snicker, And in short, I was afraid.
And would it have been worth it, after all, After the cups, the marmalade, the tea, Among the porcelain, among some talk of you and me, Would it have been worth while, To have bitten off the matter with a smile, To have squeezed the universe into a ball To roll it toward some overwhelming question, To say: 'I am Lazarus, come from the dead, Come back to tell you all, I shall tell you all' - If one, settling a pillow by her head, Should say: 'That is not what I meant at all.' That is not it, at all.
And would it have been worth it, after all, Would it have been worth while, After the sunsets and the dooryards and the sprinkled streets, After the novels, after the teacups, after the skirts that trail along the floor - And this, and so much more? - It is impossible to say just what I mean! But as if a magic lantern threw the nerves in patterns on a screen: Would it have been worth while If one, settling a pillow or throwing off a shawl, And turning toward the window, should say: 'That is not it at all, That is not what I meant, at all.'
No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do To swell a progress, start a scene or two, Advise the prince; no doubt, an easy tool, Deferential, glad to be of use, Politic, cautious, and meticulous; Full of high sentence, but a bit obtuse; At times, indeed, almost ridiculous - Almost, at times, the Fool.
I grow old ... I grow old... I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black.
We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
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The Ballad of Oriana by Lord Alfred Tennyson
My heart is wasted with my woe, Oriana. There is no rest for me below, Oriana. When the long dun wolds are ribb’d with snow, And loud the Norland whirlwinds blow, Oriana, Alone I wander to and fro, Oriana.
Ere the light on dark was growing, Oriana, At midnight the cock was crowing, Oriana; Winds were blowing, waters flowing, We heard the steeds to battle going, Oriana, Aloud the hollow bugle blowing, Oriana.
In the yew-wood black as night, Oriana, Ere I rode into the fight, Oriana, While blissful tears blinded my sight By star-shine and by moonlight, Oriana,
I to thee my troth did plight, Oriana. She stood upon the castle wall, Oriana; She watch’d my crest among them all, Oriana; She saw me fight, she heard me call, When forth there stept a foeman tall, Oriana, Atween me and the castle wall, Oriana.
The bitter arrow went aside, Oriana: The false, false arrow went aside, Oriana; The damned arrow glanced aside, And pierced thy heart, my love, my bride, Oriana! Thy heart, my life, my love, my bride, Oriana!
O, narrow, narrow was the space, Oriana! Loud, loud rung out the bugle’s brays, Oriana. O, deathful stabs were dealt apace, The battle deepen’d in its place, Oriana; But I was down upon my face, Oriana.
They should have stabb’d me where I lay, Oriana! How could I rise and come away, Oriana? How could I look upon the day? They should have stabb’d me where I lay, Oriana– They should have trod me into clay, Oriana.
O breaking heart that will not break, Oriana! O pale, pale face so sweet and meek, Oriana! Thou smilest, but thou dost not speak, And then the tears run down my cheek, Oriana. What wantest thou? whom dost thou seek, Oriana?
I cry aloud; none hear my cries, Oriana. Thou comest atween me and the skies, Oriana. I feel the tears of blood arise Up from my heart unto my eyes, Oriana. Within thy heart my arrow lies, Oriana.
O cursed hand! O cursed blow! Oriana! O happy thou that liest low, Oriana! All night the silence seems to flow Beside me in my utter woe, Oriana. A weary, weary way I go, Oriana!
When Norland winds pipe down the sea, Oriana, I walk, I dare not think of thee, Oriana. Thou liest beneath the greenwood tree, I dare not die and come to thee, Oriana. I hear the roaring of the sea, Oriana.
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To Friends At Home by Robert Louis Stevenson
To friends at home, the lone, the admired, the lost The gracious old, the lovely young, to May The fair, December the beloved, These from my blue horizon and green isles, These from this pinnacle of distances I, The unforgetful, dedicate.
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