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Romantic Poetry - 29
Ode by Richard Lovelace
I. You are deceiv'd; I sooner may, dull fair, Seat a dark Moor in Cassiopea's chair, Or on the glow-worm's uselesse light Bestow the watching flames of night, Or give the rose's breath To executed death, Ere the bright hiew Of verse to you; It is just Heaven on beauty stamps a fame, And we, alas! its triumphs but proclaim.
II. What chains but are too light for me, should I Say that Lucasta in strange arms could lie? Or that Castara were impure; Or Saccarisa's faith unsure? That Chloris' love, as hair, Embrac'd each en'mies air; That all their good Ran in their blood? 'Tis the same wrong th' unworthy to inthrone, As from her proper sphere t' have vertue thrown.
III. That strange force on the ignoble hath renown; As AURUM FULMINANS, it blows vice down. 'Twere better (heavy one) to crawl Forgot, then raised, trod on [to] fall. All your defections now Are not writ on your brow; Odes to faults give A shame must live. When a fat mist we view, we coughing run; But, that once meteor drawn, all cry: undone.
IV. How bright the fair Paulina did appear, When hid in jewels she did seem a star! But who could soberly behold A wicked owl in cloath of gold, Or the ridiculous Ape In sacred Vesta's shape? So doth agree Just praise with thee: For since thy birth gave thee no beauty, know, No poets pencil must or can do so.
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The Twelve-Forty-Five by Joyce Kilmer
(For Edward J. Wheeler)
Within the Jersey City shed The engine coughs and shakes its head, The smoke, a plume of red and white, Waves madly in the face of night. And now the grave incurious stars Gleam on the groaning hurrying cars. Against the kind and awful reign Of darkness, this our angry train, A noisy little rebel, pouts Its brief defiance, flames and shouts -- And passes on, and leaves no trace. For darkness holds its ancient place, Serene and absolute, the king Unchanged, of every living thing. The houses lie obscure and still In Rutherford and Carlton Hill. Our lamps intensify the dark Of slumbering Passaic Park. And quiet holds the weary feet That daily tramp through Prospect Street. What though we clang and clank and roar Through all Passaic's streets? No door Will open, not an eye will see Who this loud vagabond may be. Upon my crimson cushioned seat, In manufactured light and heat, I feel unnatural and mean. Outside the towns are cool and clean; Curtained awhile from sound and sight They take God's gracious gift of night. The stars are watchful over them. On Clifton as on Bethlehem The angels, leaning down the sky, Shed peace and gentle dreams. And I -- I ride, I blasphemously ride Through all the silent countryside. The engine's shriek, the headlight's glare, Pollute the still nocturnal air. The cottages of Lake View sigh And sleeping, frown as we pass by. Why, even strident Paterson Rests quietly as any nun. Her foolish warring children keep The grateful armistice of sleep. For what tremendous errand's sake Are we so blatantly awake? What precious secret is our freight? What king must be abroad so late? Perhaps Death roams the hills to-night And we rush forth to give him fight. Or else, perhaps, we speed his way To some remote unthinking prey. Perhaps a woman writhes in pain And listens -- listens for the train! The train, that like an angel sings, The train, with healing on its wings. Now 'Hawthorne!' the conductor cries. My neighbor starts and rubs his eyes. He hurries yawning through the car And steps out where the houses are. This is the reason of our quest! Not wantonly we break the rest Of town and village, nor do we Lightly profane night's sanctity. What Love commands the train fulfills, And beautiful upon the hills Are these our feet of burnished steel. Subtly and certainly I feel That Glen Rock welcomes us to her And silent Ridgewood seems to stir And smile, because she knows the train Has brought her children back again. We carry people home -- and so God speeds us, wheresoe'er we go. Hohokus, Waldwick, Allendale Lift sleepy heads to give us hail. In Ramsey, Mahwah, Suffern stand Houses that wistfully demand A father -- son -- some human thing That this, the midnight train, may bring. The trains that travel in the day They hurry folks to work or play. The midnight train is slow and old But of it let this thing be told, To its high honor be it said It carries people home to bed. My cottage lamp shines white and clear. God bless the train that brought me here.
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The Snowman in the Yard by Joyce Kilmer
The Judge's house has a splendid porch, with pillars and steps of stone, And the Judge has a lovely flowering hedge that came from across the seas; In the Hales' garage you could put my house and everything I own, And the Hales have a lawn like an emerald and a row of poplar trees.
Now I have only a little house, and only a little lot, And only a few square yards of lawn, with dandelions starred; But when Winter comes, I have something there that the Judge and the Hales have not, And it's better worth having than all their wealth -- it's a snowman in the yard.
The Judge's money brings architects to make his mansion fair; The Hales have seven gardeners to make their roses grow; The Judge can get his trees from Spain and France and everywhere, And raise his orchids under glass in the midst of all the snow.
But I have something no architect or gardener ever made, A thing that is shaped by the busy touch of little mittened hands: And the Judge would give up his lonely estate, where the level snow is laid For the tiny house with the trampled yard, the yard where the snowman stands.
They say that after Adam and Eve were driven away in tears To toil and suffer their life-time through, because of the sin they sinned, The Lord made Winter to punish them for half their exiled years, To chill their blood with the snow, and pierce their flesh with the icy wind.
But we who inherit the primal curse, and labour for our bread, Have yet, thank God, the gift of Home, though Eden's gate is barred: And through the Winter's crystal veil, Love's roses blossom red, For him who lives in a house that has a snowman in the yard.
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Experience by John Boyle O'Reilly
THE world was made when a man was born, He must taste for himself the forbidden springs; He can never take warning from old-fashion'd things; He must fight as a boy, he must drink as a youth, Of the friend of his soul; he must laugh to scorn The hints of deceit in a woman's eyes-- They are clear as the wells of Paradise.
And so he goes on till the world grows old, Till his toung has grown cautious, his heart has grown cold, Till the smile leaves his mouth, till the ring leaves his laugh, And he shirks the bright headache you ask him to quaff. He grows formal with men, and with women polite, And distrustful of both when they're out of his sight. Then he eats for his palate and drinks for his head, And loves for his pleasure,--and 'tis time he was dead.
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He Wishes His Beloved Were Dead by William Butler Yeats
Were you but lying cold and dead, And lights were paling out of the West, You would come hither, and bend your head, And I would lay my head on your breast; And you would murmur tender words, Forgiving me, because you were dead: Nor would you rise and hasten away, Though you have the will of the wild birds, But know your hair was bound and wound About the stars and moon and sun: O would, beloved, that you lay Under the dock-leaves in the ground, While lights were paling one by one.
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