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Love and Marriage Poems - 64
Rosalind - Like to the Clear in Highest Sphere by Thomas Lodge
Like to the clear in highest sphere
Where all imperial glory shines,
Of selfsame colour is her hair,
Whether unfolded or in twines:
Heigh ho, fair Rosalind.
Her eyes are sapphires set in snow,
Refining heaven by every wink;
The gods do fear whenas they glow,
And I do tremble when I think:
Heigh ho, would she were mine.
Her cheeks are like the blushing cloud
That beautifies Aurora's face,
Or like the silver crimson shroud
That Ph{oe}bus' smiling looks doth grace:
Heigh ho, fair Rosalind.
Her lips are like two budded roses,
Whom ranks of lilies neighbour nigh,
Within which bounds she balm encloses,
Apt to entice a deity:
Heigh ho, would she were mine.
Her neck, like to a stately tower
Where Love himself imprison'd lies,
To watch for glances every hour
From her divine and sacred eyes:
Heigh ho, fair Rosalind.
Her paps are centres of delight,
Her paps are orbs of heavenly frame,
Where Nature moulds the dew of light,
To feed perfection with the same:
Heigh ho, would she were mine.
With orient pearl, with ruby red,
With marble white, with sapphire blue,
Her body every way is fed,
Yet soft in touch, and sweet in view:
Heigh ho, fair Rosalind.
Nature herself her shape admires,
The gods are wounded in her sight,
And Love forsakes his heavenly fires
And at her eyes his brand doth light:
Heigh ho, would she were mine.
Then muse not, Nymphs, though I bemoan
The absence of fair Rosalind,
Since for her fair there is fairer none,
Nor for her virtues so divine:
Heigh ho, fair Rosalind.
Heigh ho, my heart, would God that she were mine!
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The Nymphs Song to Hylas by William Morris
I know a little garden-close
Set thick with lily and red rose,
Where I would wander if I might
From dewy dawn to dewy night,
And have one with me wandering.
And though within it no birds sing,
And though no pillared house is there,
And though the apple boughs are bare
Of fruit and blossom, would to God,
Her feet upon the green grass trod,
And I beheld them as before!
There comes a murmur from the shore,
And in the place two fair streams are,
Drawn from the purple hills afar,
Drawn down unto the restless sea;
The hills whose flowers ne'er fed the bee,
The shore no ship has ever seen,
Still beaten by the billows green,
Whose murmur comes unceasingly
Unto the place for which I cry.
For which I cry both day and night,
For which I let slip all delight,
That maketh me both deaf and blind,
Careless to win, unskilled to find,
And quick to lose what all men seek.
Yet tottering as I am, and weak,
Still have I left a little breath
To seek within the jaws of death
An entrance to that happy place;
To seek the unforgotten face
Once seen, once kissed, once reft from me
Anigh the murmuring of the sea.
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Paralysis by Rupert Brooke
For moveless limbs no pity I crave,
That never were swift! Still all I prize,
Laughter and thought and friends, I have;
No fool to heave luxurious sighs
For the woods and hills that I never knew.
The more excellent way's yet mine! And you
Flower-laden come to the clean white cell,
And we talk as ever -- am I not the same?
With our hearts we love, immutable,
You without pity, I without shame.
We talk as of old; as of old you go
Out under the sky, and laughing, I know,
Flit through the streets, your heart all me;
Till you gain the world beyond the town.
Then -- I fade from your heart, quietly;
And your fleet steps quicken. The strong down
Smiles you welcome there; the woods that love you
Close lovely and conquering arms above you.
O ever-moving, O lithe and free!
Fast in my linen prison I press
On impassable bars, or emptily
Laugh in my great loneliness.
And still in the white neat bed I strive
Most impotently against that gyve;
Being less now than a thought, even,
To you alone with your hills and heaven.
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Ode On A Grecian Urn by John Keats
Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
'Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know.'
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Sonnet CLI by William Shakespeare
Love is too young to know what conscience is;
Yet who knows not conscience is born of love?
Then, gentle cheater, urge not my amiss,
Lest guilty of my faults thy sweet self prove:
For, thou betraying me, I do betray
My nobler part to my gross body's treason;
My soul doth tell my body that he may
Triumph in love; flesh stays no father reason;
But, rising at thy name, doth point out thee
As his triumphant prize. Proud of this pride,
He is contented thy poor drudge to be,
To stand in thy affairs, fall by thy side.
No want of conscience hold it that I call
Her 'love' for whose dear love I rise and fall.
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